SYMBOL AS A CONCEPTUAL PHENOMENON OF SOCIOCULTURAL PRACTICES
Abstract
The idea of symbols as conceptual phenomena
is based on the analysis of socio-cultural practices in a
symbolic aspect. The society forms the content of individual
consciousness by means of organizing socio-cultural
practices and the symbols are very important in this process.
Symbol as a conceptual phenomenon is mostly represented
in religious art and ideology. Basing on the works by S.S.
Averintsev, P. Florensky and Y.N. Trubetzkoy the author
reveals the semantic content of the Russian icon-painting and
temple architecture symbols and defi nes the religious symbol.
is based on the analysis of socio-cultural practices in a
symbolic aspect. The society forms the content of individual
consciousness by means of organizing socio-cultural
practices and the symbols are very important in this process.
Symbol as a conceptual phenomenon is mostly represented
in religious art and ideology. Basing on the works by S.S.
Averintsev, P. Florensky and Y.N. Trubetzkoy the author
reveals the semantic content of the Russian icon-painting and
temple architecture symbols and defi nes the religious symbol.
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