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P. FLORENSKY’S PHILOSOPHY OF CREATIVITY

https://doi.org/ 10.18384/2310-7227-2017-1-70-74

Abstract

The article is dedicated to Florensky’s philosophical views on the phenomenon of creativity. Under this phenomenon Florensky understood the highest state of man, the moment of his authentic chastity and ascent to the Absolute. It is shown that without this state creativity degenerates into mere game, a dead mask, a pitiful parody on the world and does not overcome the power of sin and death. Florensky denies such false understanding of creativity, underlining that culture requires an ascent to religious dogmas. The article demonstrates that Florensky’s understanding of creativity is directly related to his studies on antinomianism and the theory of symbolism and is inherent to the wholesome religious worldview.

About the Author

Irina Baturina
Moscow Technological Institute
Russian Federation


References

1. Флоренский П.А. Иконостас / Иконостас. Имена. М.: АСТ, 2009. С. 5-115.

2. Флоренский П.А. Сочинения. Том 1. Часть 1. Столп и утверждение истины. М.: Издательство «Правда», 1990. 494 с.

3. Флоренский П.А. Сочинения. Том 1. Часть 2. Столп и утверждение истины. М.: Издательство «Правда», 1990. 350 с.

4. Флоренский П.А. Столп и утверждение истины. М.: АСТ, 2003. 640 с.


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ISSN 2949-5121 (Print)
ISSN 2949-5148 (Online)